Tag Archives: Riley Keough

It Comes at Night

Restrained, rigorous, and unrelentingly bleak, It Comes at Night is a daunting drama with a grueling mood; a lithe exploration of family amidst intense scrutiny and paranoia; and a patient, pulse-pounding thriller that’s – refreshingly, terrifyingly – not about the things that go bump in the night. Lean and mean, it comes packaged to rouse people from their slumber and keep them up shaking in their beds.

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American Honey

Perpetually engaging and enthusiastically irresponsible, American Honey is a fascinating coming-of-age story with naturalistic performances; and a free-spirited road movie with languishing, exultant moments. Gleefully unhinged and indulgent, it’s a wild ride through sex, drugs, and hip hop, with the journey led by one of Britain’s preeminent auteurs working out of her supposed comfort zone.

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Mad Max: Fury Road

Boisterous, bountiful, bombastic, berserk, and bonkers, Mad Max: Fury Road is a barn-burner of an operatic extravaganza; a scrap-metal demolition derby of a popcorn flick; and a gargantuan grunge symphony of vehicular mayhem and twisted metal. Extravagantly deranged and utterly unhinged, it’s gutsy, unapologetic, peripatetic, high-octane, and unstoppable, a defiantly individual riposte to committee-led blockbusters that tend to steamroll the summer season.

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